Ghanaian High-life sensation, Akwaboah has shared that the debate on the death of the High-life genre gave him a mixed bag of feelings.
The musician who is particular about promoting and sustaining the genre indicated that the debate at its high made him both sad and happy.
“When I saw the debate on High-life dying on the internet, I was kind of happy and sad at the same time. I was happy for the fact that people are now seeing the light and are accepting that Ghana is High-life. You can’t take that away from us and we keep doing it,” he told NY DJ on Y102.5FM’s Ryse N Shyne show.
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He noted that colleagues, Dada Hafco, Kumi Guitar and himself are still doing High-life and trying to sustain the genre. “The sad point however is that High-life is not really played or patronised in Ghana and that is why I was sad.”
Akwaboah who is pained by the treatment the industry has given to the High-life genre added, “You know, at the end of the day High-life is still going to stand tall and we are going to make it work.”
High-life is a music genre that originated in present-day Ghana in the 19th century, during its history as a colony of the British Empire. It uses the melodic and main rhythmic structures of traditional Akan music and Kpanlogo Music of the Ga people, but is played with Western instruments.
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However, the genre is being lost in the Ghanaian music industry as the young crop of artiste are pursuing other genres other than what many may call their heritage.
