Reverend Moses OK, a renowned Ghanaian Gospel artiste and senior pastor of Truth City Chapel, has stirred controversy by condemning the practice of banishing unwed mothers from churches. The “Ene Menko” crooner shared his perspective during an interview with Nana Benyin Crentsil on #FirstService.
The senior pastor expressed his disapproval of the prevalent practice of penalizing unmarried women who become pregnant, either formally or through public humiliation within the congregation. Rev. Moses OK argued that such punitive measures were unjust and counterproductive, emphasizing the need for compassion and understanding in dealing with individuals who make mistakes.
“I don’t think it’s for you to expel someone from the church because the people that God brought you are not perfect,” asserted Rev. Moses OK. He further stated, “The Lord is transforming and molding us,” emphasizing the transformative power of God’s love and forgiveness.
Rev. Moses OK addressed the societal challenges faced by unmarried pregnant women and mothers acknowledging that the church plays only a fraction of the role in influencing perceptions. He highlighted the uncomfortable environments and societal judgments these women often face, urging for a more supportive and nurturing approach.
Drawing from his faith and scripture, the gospel artiste invoked 1 John 1:8–10 to support his argument, emphasizing the importance of correction, reprimand, and training instead of outright expulsion.
“You don’t have to send your child away if she unintentionally becomes pregnant before getting married. Instead, you should reprimand, correct, and train the child. Encourage them to press on in the Lord,” Rev. Moses OK advised.
Despite facing criticism from some quarters within the church community, Rev. Moses OK remains steadfast in his position.
The senior pastor, who recently returned to the music scene after a hiatus, continues to use his platform to spread messages of love, acceptance, and the transformative power of faith.
His recent releases, including “Wo So Bi Nni Baabia,” “Aho Boa Ben Na Woaye,” “Me Mmoa Fri Asafo Yehowa,” “Ene Menko,” and “Asesa,” reflect his commitment to both his musical and pastoral callings.
